康沃(👷)尔渔村的(de )风(🐽)景(jǐng )(🥇)明信片(🏽)田(🐌)园诗误导了人(rén )们。虽(suī )然(🔱)过去(qù )钓(diào )鱼(yú )(🍥)是一种(zhǒng )(🎗)养家糊口的(de )方式,但(dàn )(🏴)如今富有的(de )伦(lún )敦游(🌫)客纷纷下山,取代了当地人,当(dāng )地人的生计因(🗄)此受(🎡)到威(wēi )胁。史蒂(dì )文和(🥄)马丁兄(🏐)弟的关系也很紧张。马(😚)丁是(shì )一个没(méi )有船的(de )渔夫,因为史蒂文开始用它来为(🚣)一整天(tiān )的游客提供(😞)更赚钱的旅游。他们卖(🥎)掉(diào )了这座家(jiā )(📙)庭别墅,现在看来,最后一场战斗是和(hé )新(xīn )(🈴)主人(⛏)在(zài )海边(biān )的停车位(wèi )上展开(😍)。然而,情况很快就失(🧟)控了,而(ér )不(bú )仅仅是因为(🈁)车(chē )轮(lún )(💝)夹钳。Bait是一(yī )种黑白,手工制作,16毫米胶片制作的电(💹)影。许(xǔ )多关于(🏒)鱼、网、龙虾、长靴、绳(shéng )结(jié )(📛)和渔篮的特写镜头让人想(🐞)起了蒙太奇景(jǐng )点的理论(🌱)。对(duì )不同社会(huì )(💣)阶层的描述——可以说是阶(jiē )(🕕)级关(👗)系——也(🍺)让(ràng )人(🐂)想起了英(yīng )国电影中(❓)的(📬)社会(huì )现实主义(🚤)传统。然而,最重要的(de )是(👅),在影(yǐng )像(🍯)中不同(💕)层次(🚪)的电影历(lì )史(👼)参考文献之下(💨),当前许(🛌)多(🍾)政治关(guān )(🚓)联正在(♊)等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.